One indeed has to look twice to realize that it is NIOBETH written on the cover and not – exactly, those other band, which is (next to Within Tempation) the most popular one in the genre of bombastic, symphonic metal with a Gothic touch and a soprano behind the micro.
NIOBETH are actually not in need to such graphic imitation. Although Nightwish are never far away the Spaniards offer enough originality to hold their own.

Classic ingredients are all there and NIOBETH know how to combine them cleverly. Heavy guitar work and a hammering bass meets orchestral arrangements. A piano can and may compete with a superiority of amplified instruments and pulsing drum work. Above all Itéa Benedictos’ bell-like soprano waves thwarted or supported by a choir and/or male counterparts. Sometimes she also shows that she can do it differently though, darker, and more rocking. But more about that later.

The interplay of loud and low NIOBETH master faultlessly. They embed Folk and soundtrack elements in Metal compositions. Occasionally discreet growls can be heard in the background and orchestral music adds opulence without drowning in bombast. The mix of catchy melodies and tricky rhythms is perfect, every song has its own willful idea, which causes surprising moments. NIOBETH can be epic and daydreaming, especially in the 15 minutes running Sadako’s Wings Of Hope, but exactly know when the economizing use of effects and orchestration adds strength to the music and its restraint can be even more intensive then to ride into the sun with full spurs.

Officially sworn in fans of that genre see a full rating here. After having released the self-financed The Shining Harmony Of Universe album and the following EP Dreaming, Silvery Moonbeams scores a place on top of symphonic Gothic Metal.

So, an all around and well-done record. Remains the question, if the concept of a lilting soprano in fulminant Metal will last. Itéa Benedicto does a great job, no doubt, but what she does here is more musical and operetta than grand opera. Vocally Benedicto convinces most when she allows variations - and she actually can do so! - or choir and male singer take over regency. Operatic the music is per se, but with more Rock affine NIOBETH easily could override genre limits. And occasional cracks and lilting soprano notes should be still possible.

But who wants to nag about at these alluring melodies and straightforward heaviness? Just to know what unswallowable inaudibleness in that genre exists makes NIOBETH and Silvery Moonbeams to an audible pleasure.

P.S.: A really special note the last two instrumentals reveal. There classic meets Mike Oldfield and the symphonic phase of Deep Purple (Polovtsian Dances). And Solitude becomes the band’s own Dust In The Wind. A little bit kitschy but great!