Although
I wasn’t really fascinated by the previous outputs of the
ambitious quartet of the Black Metal war-machine ENDSTILLE
from Northern Germany, which are called Operation Wintersturm,
Frühlingserwachen and Dominanz,
I have to annotate that this point of view seems to change after
their new release Navigator. Outward,
concerning the cover/booklet-artwork, the lyrics and the band’s
brutal image, it looks like if these mad battle-fanatics drive the
same road as so far. Almost everything deals with one of the most
controversial topics, which besides represents the cliché
in details: “war”. Directly documented with genuine
photographs of the second world-war, ENDSTILLE
show the rest of the scene that they take this debatable motto “Black
Metal ist Krieg” by Nargaroth’s Kanwulf dramatically
seriously in an artful and modern form.
Surprisingly the sound-core of this German legion has experienced
a not very striking, but by all means remarkable twist, so Navigator
puts forward with uncompromising, pulping mid-tempo killers, which
irresistible destroy your auditory perception. Furthermore the band
mixes some rough melodies, which got a raw deal the years ago, with
a powerful, hyper-blasting Black Metal basis, a fact that especially
the third song, which is entitled Navigator as well, demonstrates
acoustically. As a result I have also to mention that ENDSTILLE
obvious gained a lot of variability and now present a laudable combination
between extreme aggression and poignant melancholy. Particularly
with regard to the last song Endstille (Leichnam), which
seems quite hypnotic, becomes clear that the band isn’t a
total specified overspeed blasphemy-troup any more.
But even if these enthusiastic Black Metal-soldiers provide a good
album, that includes a further development of their musical creativity
in consideration of skillfully changing tempos and offering stirring
battle-hymns, in my opinion the “certain something”
in their music is missing to keep up with Nordic cult-bands like
Marduk or Immortal. |