I was never 
                disappointed by MORS PRINCIPIUM EST - and this fact does 
                not change with the actual work. The cool, vehement style of these 
                Finns is dominated by first-class guitar work, and the musicians 
                add some restrained modern influences to spice up their sound.
                At first I have to say that I miss catchy and immediately touching 
                pieces on this record for the present. The firm chords and the 
                wild presentation push forward irresistibly after the contained 
                introduction The Awakening, as the band starts in hit-and-run 
                style with the track Departure, whereby I really enjoy 
                the playful guitar lines from the first second on. Fortunately, 
                the guys got the right touch for a break right in time; they throttle 
                speed and the keyboard stands in the foreground for a while to 
                get crushed by powerful guitar riffing anew. The group abstains 
                from ostensible refrains and the long-term-effect profits because 
                of this tactics. 
                A while later, MORS PRINCIPIUM EST act in more hymnal style 
                during I Will Return and hit the bull’s eye again. 
                Concerning the voice, there are no experiments like clear vocals 
                – the raspy-throaty-scratchy style adds some aggressiveness. 
                I come across some modern pinches in course of Birth Of The 
                Starchild, but the use happens in well-dosed and therefore 
                enriching manner.
                In all, the breathers are quite short whilst the compositions 
                Bringer Of Light and Ascension, the listener can lean 
                back for some minutes during the theatrical interplay …And 
                Death Said Live. The piano introduces the tune Destroyer 
                Of All and the harsh riffing is unleashed all the more intensely. 
                In this case, I appreciate the quite dark sung chorus as well 
                as the hymnal prevailing mood. What The Future Holds shows 
                a tendency towards Black Metal, ere it ends in epic style. Same 
                is true for the acoustic punch line Dead Winds Of Hope.
                A lot of fret board acrobatics dominate this release till the 
                end and the listener should like breath-taking instrumental rollercoaster 
                rides. Besides, you can live with discreet modern effects and 
                missing catchy refrains? Well, then you will be rewarded with 
                a bunch of steam-hammer songs!