The new album
of ZERAPHINE emerges as a real surprise! In my
opinion, the compositions of previous records were lacking of
a stringent songwriting, so that I lost the interest in the band
little by little.
Well, after they got released from their contract with Sony/BMG
they took much time to check all possibilities. But they could
not find the real deal and ultimately founded an own label to
be free in their work and decisions, now backend by Soulfood as
distribution. Reading the info-sheet it seems that ZERAPHINE
got strongly regimented in the past and that they are fed up with
that. As for me it doesn’t sound convincing, because I cannot
imagine why a label shouldn’t be interested in releasing
such a great record…
And Still
is surprisingly strong! ZERAPHINE tried to leave
composition and production processes as close as possible on their
live experiences, what does audibly good to the record. Still
not only spreads more emotions and authenticity compared with
the last two albums for example, but definitely rocks much more
vehemently, giving catchier access to the music without losing
fineness and techniques. But the biggest balance act Still
manages is to be catchy (for my sake commercial too) and sophisticated
as well as varied at the same time. That’s something you
don’t get every day…
Already opening
title-track makes clear what this album is about: straightforward
rocking, with interesting details provided songs that immediately
get stuck in your ears but leaving a permanent impression. The
band mates harmonize well and give enough space for developments
to the still charismatic voice of Sven Friedrich and his lyrics.
Even if he doesn’t like to hear that but on Still
ZERAPHINE sound more like the Dreadful Shadows
as ever before. They actually were more Gothic-like but the rocking
attitude and the charisma of the songs is similar.
Another highlights on Still are Inside
Your Arms that reminds of Zeromancer, Gib mir Dein Gift
that tends in the direction of late Love Like Blood, Toxic
Skies that owns downright catchy and wonderful melodies and
the one and the other potential hit for the black community as
there are Fang mich, Halbes Ende and the closing
ballad Nur ein Tag. National rivalry looks quite bad
I’d say and I guess we will take much pleasure in these
gents from Berlin next time. It’s worth 8.5 points.