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second output from REQUIEM. Now with the keyboarder
of Sonata Arctica (according to the promo sheet, fact is that he
didn't become a member of Stratovarius' kid brothers until after
the first REQUIEM album). Positive surprise: The
album is a lot speedier than the debut. Add to that a big chunk
of neo-classicism and some progressiveness. Cool mix, but nothing
new. The sound is crystal clear (the Finns strike again!) and the
guys know very well how to handle their instruments. Fast leads
mixed with furious drumming, and on top of that, floats the voice
of Jouni Nikula, who sings a lot less operatic this time. Sadly
though, it seems that the Finns are always going to have problems
with the pronunciation of certain English words... OK, it isn't
that bothering, but when the rest blasts so flawlessly from the
speakers...
Mask Of Damnation was recorded together
with Nino Laurenne (Thunderstone) in his Sonic Pump Studios, and
as usual Mika Jussila of Finnvox did the mastering. Sadly, there
are only eight songs on the album, which upsets me somehow. The
songs are good, no question, but this trend with less and less songs
on the albums is kind of shitty, if you ask me. Well, I guess I
have to be content with exactly 42 minutes of music this time. Good
then, that most of the songs are of such high quality. Following
speed attacks like Blinded and The Dying Ember,
both featuring very nice vocal lines, the slower Mask Of Damnation,
follows, in part boasting some progressive influences. The beginning
of Divine Illusion has some of the coolest leads on the
album, while the larger part of the rest of the album has a sadder
and more melancholic approach, which brings diversity to the whole.
A job well done, I'd say, but next time I want more songs!
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