The
second album of these bleak Italians offers demoniac and fast Black
Metal mixed up with acoustic guitar parts. Despite all speed the
songs emanate certain catchiness especially because of the well
done refrains. During the whole playing time, variety of speed is
dominating and the musical breaks are set cleverly. The result is
a runny and convenient album, which can convince me in spite of
the not really satisfactorily sound. There are a lot of details
hidden in every track, which FROSTMOON ECLIPSE
combines coherently to a compact work of art. The speedy attacks
are loosened up by an instrumental intermezzo called Funeral
which functions like a breather to get some air before the next
aggressive song World In Ruin is raging. High speed dominates,
but there is no danger to drift into chaos, because right in time
there is our friend, the acoustic guitar to slow down the song,
These contrasts are present all the time and this is a positive
aspect talking about Death Is Coming.
Besides, I think that speed is more than ever effective if there
are also slow parts. The penultimate song Blindness is
uncommon and sounds like a ballad, a whispering voice is accompanied
by acoustic guitars remembering of old Katatonia. The concluding
Waiting For The Storm is brilliant at its exciting way
of composition – an acoustic part is followed by fast chords
riddled with breaks, before the screechy voice starts. Some acoustically
played guitars remind me of Opeth, but this is not the worst reference
I guess. FROSTMOON ECLIPSE has done a many-sided
and diversified album and we can expect some good works for the
future. |