| Being
around with Calahan, one of the bands of our lovely noise terrorist
Brt, I got to know about BLACKWAVES, since its
guitar player Steve plays in both bands. BLACKWAVES
got set off at the end of 2004 by Steve, synth and sound wiz Frank,
skinman Tommec and is a pure instrumental project. This demo contains
4 songs, whereas the latter one runs over 13 minutes (on the cover
are 5 ones named, the last one got scrapped after the mix) with
an entire playing time of more than 32 minutes and a high quality
production.
Musically references to the Neurosis/Neurot Recordings camp (Isis,
Red Sparrows etc.) are abundantly clear. Leanings towards to the
repertoire of a Justin Broadrick and a psychedelic touch add depth
and get mixed to a soundtrack for the apocalypse that is heavy,
brutal, destroying, mesmerizing and abysmal. This record most of
all lives on its deep low-tuned guitar sound with a classic but
excellent Neurosis-styled riffing, accompanied by the drum work.
Synthetically produced sounds hardly ever break through. You have
quite to concentrate to hear them out. But as for me it’s
ok this way, since they leave an ambivalent impression as they don’t
seem to suit the musical pictures, especially in the last song
0113 FA, where they are a bit clearer. But for the noisy sound
walls they work fine.
While opening composition 0110 01 perfectly matches the
classic Neurosis structures, 0111 1B and 0112 72
kick off with a more rocking attitude and this special psychedelic
touch, just to fall back a little later into a deeply depressive
ponderosity, dragging all emotions along. 0113 FA begins
with beautifully clear guitar tunes but ends the same way.
The BLACKWAVES sound is varied enough to excellently
work live on stage (in this case with a self-cut insect movie by
Tommec on a screen behind his kit), without missing the singing
or feeling bored but is also heavy enough to wallow in your own
depressions inside your four walls.
Altogether a wonderful piece of music every Neurosis-styled fan
should check out. BLACKWAVES itself are invited
to experiment much more (especially with the keys), to disengage
from their idols building up an own identity. |