This
group of crazed Englishmen called THE AXIS OF PERDITION
are about to take you on a ride into oblivion! Formed in the winter
of 2001/2002 from the death of the band Minethorn, they set out
to create a clear, strong vision of a dark and bleak future. The
band's first demo, split with dark ambient project Pulse Fear, limited
to only 20 copies, was quickly gobbled up by UK label Rage Of Achilles
(rip). In 2003, their debut album The Ichneumon Method
received awesome reviews from media and fans alike, they hailed
it as one of the best post-black metal albums of the year. Pretty
damn good I must say! Later that year, they signed to code666, a
cult record label from Italy. They released a limited edition MCD
EP Physical Illucinations In The Sewer Of Xuchilbara...
and also their second full-length Deleted Scenes From
The Transitional Hospital. Taking influence from the
degradation of urban environment set to a nightmarishly dark view
of a post-apocalyptic mayhem. Their sound is equally deranged; discordant
guitar work reminiscent of early 90's black metal, injected with
some of the fastest drumming I have ever heard, and some of the
sickest vocal outpourings. Following a sole character imprisoned
in and navigating the dark labyrinth of the Transitional Hospital
(we first meet this character on the previous EP Physical
Illucinations In The Sewer Of Xuchilbara), he finds
himself in his own ultimate revelatory terror. An epic, vivid journey
into utter darkness and unutterable bleakness.
Okay, put
yourself in an abandoned, haunted, half burnt-down factory in
the middle of a ghetto somewhere. It’s midnight. The bats
are fluttering; the ghosts are all about you. And you are scared
shitless. Now, you are back in your room and playing this album.
You feel the same damn thing; you are scared shitless. This is
the most gut-wrenching, mind-warping album you will ever experience.
This is what you can really call "the devil's music".
If I were in hell, this is what they would be playing.
Opening track
Deleted Scenes I: In The Hallway Of Crawling Filth, a
10.37 minute misanthropic journey of disgust, accented by grinding,
warped guitar riffs and super-sonic-speed drums. A soundtrack
of mental anguish and torture. The Elevator Beneath The Valve
is what it says it is, an elevator to yet even more mental anguish.
A transitional piece to take you further down the already darkened
spiral of hypocrisy. Then we have Pendulum Prey (Second Incarceration)
an even more bleak look into this cathartic reality of disgust
and urban decay. The last few minutes of this song has to be the
most chaotic thing I have ever witnessed. Jazz-like bass lines,
screams reminiscent of torture victims, 1920’s styled piano
lines, radio fades; this is crazy! Just as a reminder: if I were
you, I'd hid all sharp objects and avoid watching any scary films
after listening to this. Go watch something happy! Go be merry!
'Cause this will definitely leave you with that feeling of uncleanliness
that you thought only Cannibal Corpse could bring.
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