| I
must say, innovativeness has gone to hell. In the early 90’s
metal was repetitive and boring. But lo and behold, bands started
mixing styles together to create “new” genres. Frankly,
rarely have combined genres produced a truly unique sound. I hate
to say it, but labels like doom/death, black/death, prog/doom, symphonic/black
are just buzzwords that don’t really mean anything. Few bands
actually broke ground by successfully combing genres. I’m
happy to say HORTUS ANIMAE is one of those bands.
Their sound is truly refreshing. Whenever I listen to the music
I picture medieval jesters in colorful clothing dancing around a
dead body in a orange-tinted dungeon. It’s quite eerie. The
symphonic elements are the key elements in achieving this, along
with Bless’s amazing keyboards. I have never heard any black
metal band use keyboards so effectively. They’re not used
only to back up guitar riffs either. Bless makes his own melodies
that stand out, especially on Springtime Deaths, the album’s
best song.
The talent doesn’t stop there though. The thing that stands
out most in Waltzing Mephisto is the drumming,
performed by GroM, who is, undoubtedly, Italy’s finest drummer.
What surprised me most is how he could play so ferociously in the
slow and light instrumental A Feeble Light Of Hope and
not disturb the tranquility of the music. His style has so much
variety; it encompasses every genre of drumming imaginable.
And then comes the music. As I said before, it’s something
quite original. You never know what to expect, and that’s
partly because you probably have never heard anything like this
before. The melodies HORTUS ANIMAE spin are an
act of sheer brilliance. The album doesn’t lack in any aspect
whatsoever. Production is good enough to listen to, yet bad enough
to create a dark, occult feeling. The vocals pierce the ears and
change from screams to brutal death vocals in an instant. And above
that, HORTUS ANIMAE manages to cover three classics
(Freezing Moon by Mayhem, Terzo Incontro by Il Balletto di Bronzo,
and Tubular Bells by Mike Oldfield), mix them into one song, and
stay true to the originals. This is the finest album of 2003 so
far, and I’ll be damned if it’ll be beaten.
Synopsis
Untitled Intro – N/A
Enter – 95%
A Hidden Osbcurity (Part I and II) – 99%
Springtime Deaths - 100%
Souls of the Cold Wind – 94%
Welcome the Godless – 86%
Freezing Moon including Terzo Incontro and Tubular Bells –
100%
A Feeble Light of Hope - 100%
Album – 97%
Hortus
Animae |